One of the most appealing aspects of shooting with color-negative film is that it typically is very forgiving when it comes to over-exposures. Best Budget Color Film: Kodak Gold 200 Film.Best Color Film for the Experimental Photographer: dubblefilm Jelly 200 Color Negative Film.Best Color Slide Film: Fujifilm Fujichrome Velvia 100.Best Color Film For Landscapes: Kodak Ektar 100.Best Color Film For Portraits: Kodak Portra 400.Most films also regularly come in the 120 format, which is the correct size if you are shooting with a medium format camera. 35mm film is the most popular of film sizes and what you will want to use if your film camera is an SLR, a point and shoot, or most rangefinders. The best film comes in a variety of speeds and formats and selecting the best film stocks for you depends a lot on what you plan to shoot, the time of day you will be shooting, and what camera equipment you will be using. If you were born before the early 2000s, chances are the images that you associate with your family memories were all shot on color film. The E6 process completely washed away the emulsion.Color film was one of the most popular photography products in the pre-digital era. The result was a completely blank film strip - not even any edge numbers or codes. This is my normal process for C41 to E6 xpro and generally provides satisfactory results. I also experimented with cross processing the film in E6, +2 stop push. Processing was done in standard C-41 as there is no remjet on the film. I'll probably rate it at ISO 1.2 on the next roll. Kevin says: " I 2254 shot with a Nikon F4 and either a 85mm f/1.4 or 50mm f/1.4 lens. Kevin's Flickr photostream can be seen here: Photo below by Swedish-born, San Francisco-livin' photographer Carl Nenzén Lovén. If you camera can't be set to asa 1.6, you can dial in asa 25 then open up 4 more stops How do I meter for asa 1.6? You must dial the asa manually into your camera or meter. The backing layer also contains process-surviving lubricant and matte to optimize winding and transport characteristics". A very thin polymeric backing layer coated on top of the anti-static layer provides improved resistance to back-side scratches, cinch marks, and abrasion of both raw stock and processed film. It does have an Anti-Static Layer! According to Kodak, "the anti-static layer remains with the film after processing, eliminating the electrostatic attraction of dirt particles to the processed film, even at relatively low humidity. Is there an anti-halation layer? This film does not appear to have a standard anti-halation layer. Since this film was not manufactured for in-camera use, colors may be a bit off-beat. See photo examples on this page. This film can also be commercially processed by The Darkroom and other commercial labs that process C-41 films.ĭaylight or Tungsten (Studio Light) Balanced? This film is neither Daylight or Tungsten! The film is designed to be exposed under laser, CRT, and LED light sources. Standard C-41 Processing! There is no rem jet associated with this film (like other color Vision stocks) and can be self-developed at home (in the FPP ECN-2 Kit ). When using in your 35mm camera to shoot pictorials, this film will produce a film negative. Low ISO Color (35mm) is a low-speed duplicating film.It is intended for making digital dupes in motion picture film labs. Sales of individual rolls from FPP bulk rolls is prohibited. Our 100 foot bulk rolls are for personal shooting, not re-selling as single 35mm cartridges. The Film Photography Project is happy to offer 35mm film in convenient hand-rolled 30.5m (100 ft) rolls (on core) - iso 1.6 - Process: C-41įor bulk film loaders that accept 100 ft rolls of film Fresh-Dated Kodak LOW ISO 35mm Color Film!
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